“The Ocean Duck”

ROLE

  • Production Manager

OVERVIEW

  • The Ocean Duck is a hybrid 2D animated film that utilizes both traditional hand-drawn animation and puppet animation. The Ocean Duck, an animated short film combines the beauty of ancient poetry and illuminated manuscripts with the modern story of a young woman and her grandmother. It is based on a poem in Rumi’s Masnavi, describing a duck that is raised by chickens, despite its true home being the ocean – a symbol for the eternal. The Ocean Duck is a visual expression of how folklore and magical realism can help achieve a transcending experience.

  • Directed by Huda Razzak and co-directed by My Anh Ngo

  • Link: https://theoceanduckfilm.com/

DUTIES

  • Collaborate with a team of 30+ artists to produce a 6:15-minute hybrid 2D animated film that utilizes both traditional hand-drawn animation and puppet animation.

  • Conduct 2D team meetings to kick off, maintain, and conclude project scopes.

  • Briefing team members on delivery objectives and keeping everyone informed on the progress of the project.

  • Create a naming convention to be used throughout the film.

  • Coordinate the organization of Toon Boom Harmony project networks.

  • Foresee and address possible planning/production issues, translating the complexity of the project into lucid language that team members can understand.

  • Communicate with the director to ensure the film stayed on vision.

  • Plan and organize the production schedule using Trello.

PROGRAMS

  • AirTable : Asset list creation

  • Trello : Team shot completion

  • Toon Boom Harmony : Scene setup

  • Google Docs : Task organization

  • Google Sheets : Task organization

  • Google Hangout : Communication

  • Discord : Communication

PROCESS

  • Consult with the director on production’s best practices by drawing from my industry experiences.

  • Review the animatic, and find shots that could be consolidated or eliminated to reduce the film’s overall run-time.

  • Strategize ways to consolidate character poses to reduce asset creation and character rigging.

  • Separate animatic into individual shots, and place them in Toon Boom Harmony scene files with the corresponding assets and reference footage.

  • Assign shots to artists based on the level of difficulty and time it will take to complete.

  • Track the completion progress of each shot using AirTable.

EXPERIENCE

  • The greatest challenge I faced on this production was the wide variance of skill levels I had to accommodate for with the artists. The majority of the artists had limited animation experience, so I had to adjust the pipeline and my communication methods to help up-level their skills.

PRESS

  • Animation Magazine, “Director Huda Razzak on Her Prize-Winning ‘Ocean Duck’ and Rumi’s Quest for Eternal Love”

  • Animation Magazine, “NYICFF: ‘The Ocean Duck,’ ‘She Dreams at Sunrise,’ ‘To the Bright Side’ Win Top Prizes”

  • AWN, “SCAD Savannah Film Festival Announces 2021 Winners”

  • Cartoon Brew, “SCAD Alumni Share Valuable Industry Advice at AnimationFest 2021”

  • SCAD, “AnimationFest presents ‘The Ocean Duck’”

FILM FESTIVALS

  • Winner, Jury Award for Animated Short, Academy Award®-Qualifying, New York International Children’s Film Festival, 2022

  • Honorable Mention, Golden Gate Awards, San Francisco International Film Festival, 2022

  • Atlanta Film Festival, 2022

  • Animayo Film Festival, 2022

  • Palm Springs International ShortFest, 2022

  • Winner, Best of the South Award, ASIFAC-South Animation Festival and Conference, 2022

  • HollyShorts Film Festival, 2022

  • Hamptons International Film Festival, 2022

  • Arab Film Festival, 2022

  • NewFilmmakers Los Angeles, 2022

  • Austin Film Festival, 2021

  • Winner, Best Animated Short by a SCAD Student, SCAD Savannah Film Festival, 2021

  • Chicago International Children’s Film Festival, 2021

  • St. Louis International Film Festival, 2021

  • Light in Motion Competition, Foyle Film Festival, 2021

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